A selection of writing on art, aesthetics and the cultural studies of war

Visualizing Drone Ethnography in the Shadows of Distributive War. Creative Methods in Military Studies. 2023. Ed. Alice Cree. London: Rowman & Littlefield. p. 25-40.

The Emergence of Emergency. TOPIA: Canadian Journal of Cultural Studies Vol. 41, Fall 2020. p.61-69.

Poetics at the Perimeter of Vision, a catalogue essay for They are lost as soon as they are made, Karen Zalamea. 2021.

Watching the Watchers, an essay for the exhibition Philip Cheung: Arctic Front. Circuit Gallery/Prefix ICA, January 10 – February 2, 2019

Reconstruction as Relation, a catalogue essay accompanying the exhibition Nadia Myre: A Casual Reconstruction. Robert Langen Gallery, February 27- April 8, 2017

The Sensing Body as Witness/Le corps détecteur comme témoin, a catalogue essay for the exhibition Witness-Témoin: Nichola Feldman-Kiss. Ottawa Art Gallery/La Galerie d’art d’Ottawa, October 1, 2015 – February 7, 2016

You Can’t Talk about the War without Talking about the Weather, a catalogue essay for the exhibit Embedded at Circuit Gallery/Prefix ICA, April 10 – May 3, 2014

What Does a Zombie Want? Towards an Aesthetic of Undecidability, a catalogue essay accompanying the exhibition You Cannot Kill What is Already Dead at the Doris McCarthy Gallery, October 30, 2013 – January 14, 2014