A selection of writing on art and aesthetics

Poetics at the Perimeter of Vision, a catalogue essay for They are lost as soon as they are made, Karen Zalamea. 2020.

Watching the Watchers, an essay for the exhibition Philip Cheung: Arctic Front. Circuit Gallery/Prefix ICA, January 10 – February 2, 2019

Reconstruction as Relation, a catalogue essay accompanying the exhibition Nadia Myre: A Casual Reconstruction. Robert Langen Gallery, February 27- April 8, 2017

The Sensing Body as Witness/Le corps détecteur comme témoin, a catalogue essay for the exhibition Witness-Témoin: Nichola Feldman-Kiss. Ottawa Art Gallery/La Galerie d’art d’Ottawa, October 1, 2015 – February 7, 2016

You Can’t Talk about the War without Talking about the Weather, a catalogue essay for the exhibit Embedded at Circuit Gallery/Prefix ICA, April 10 – May 3, 2014

What Does a Zombie Want? Towards an Aesthetic of Undecidability, a catalogue essay accompanying the exhibition You Cannot Kill What is Already Dead at the Doris McCarthy Gallery, October 30, 2013 – January 14, 2014