A selection of writing on art and aesthetics

Watching the Watchers, an essay for the exhibition Philip Cheung: Arctic Front. Circuit Gallery/Prefix ICA, January 10 – February 2, 2019

Reconstruction as Relation, a catalogue essay accompanying the exhibition Nadia Myre: A Casual Reconstruction. Robert Langen Gallery, February 27- April 8, 2017

The Sensing Body as Witness/Le corps détecteur comme témoin, a catalogue essay for the exhibition Witness-Témoin: Nichola Feldman-Kiss. Ottawa Art Gallery/La Galerie d’art d’Ottawa, October 1, 2015 – February 7, 2016

You Can’t Talk about the War without Talking about the Weather, a catalogue essay for the exhibit Embedded at Circuit Gallery/Prefix ICA, April 10 – May 3, 2014

What Does a Zombie Want? Towards an Aesthetic of Undecidability, a catalogue essay accompanying the exhibition You Cannot Kill What is Already Dead at the Doris McCarthy Gallery, October 30, 2013 – January 14, 2014

Curation as Interruption, a response to a conversation between Gabrielle Moser and Liz Park at the Toronto launch of Invisible Violence at Gallery TPW, February 20, 2013

Wanting Images, a series for TPW R&D Online, exploring the relation between art, pedagogy and desire

The Trophies of Their Wars: Affect and Encounter at the Canadian War Museum, an article in Museum Management and Curation exploring the concept of the war trophy in relation to two exhibits at the Canadian War Museum